Dana Goodyear, a staff writer, was on the editorial staff of The New Yorker from 1999 to 2007, when she began writing full time for the magazine. She has written about the archeology of the Donner Party, the director James Cameron, a therapist who treats writer’s block in Hollywood, and eating bugs. She is the author of two collections of poems, “Honey and Junk” and “The Oracle of Hollywood Boulevard.” “Anything That Moves,” her book about foodie culture, was published in the fall of 2013. She teaches at the University of Southern California. In 2015, Goodyear was recognized for her profile “Elite Meat,” with a James Beard Foundation Journalism Award.
ついでにキッチンで背中を刺されて近くに血まみれのナイフがあるのを見て
婦人警官が“The killer had to be a man. Not only is the knife still
bloody—it wasn’t even put in the sink.”と言ってる漫画を見て吹いたが、
直ぐにギクッっとしてしまった。ひひひひひ。
In her book, Obokata says that she was hurrying to finish her thesis before the deadline, and accidentally bound and submitted a draft rather than the final version.
But Vacanti says that when he confronted her about the plagiarism she said that it was common at Waseda, and that a faculty member had told her that no one reads the theses anyway.
